The A. D. Humbert Collection of Clay Tablets is on display in the lower level of the
E. Y. Berry Library-Learning Center.
In the fertile valley between the Tigris and the Euphrates Rivers, the people of Sumer
and Akkad were among the first to develop organized governments for their cities [ca.
4000 B.C.].
Before 3000 B.C., the Sumerians had invented a script which was impressed into their
clay writing material with the sharp edge of a wooden stylus. Thus the symbol had
a three-dimensional, wedge-shaped look, and was called “cuneiform.” Originally, the
symbols were pictorial. However, by 2700 B.C., picture had given way to phonograms
- a symbol representing a syllable; the outward form of the symbol was simplified,
and it assumed a stylized appearance.
With the development of cuneiform, texts of all types could be preserved. It became
the writing system all over the Near East. Although clay remained the principal writing
material, cuneiform scripts have been found painted on walls of buildings, hammered
into metals, etc.
Clay tablets were usually unfired and very fragile. Once they have been baked they
are practically indestructible.
About 1950 B.C., Sumer and Akkad became a part of Babylonia. The area became known
as Mesopotamia about 331 B.C.
The fifteen original tablets were selected by Edgar J. Banks to illustrate different
types and different periods. They had been obtained by Mr. Banks directly from the
Arabs who found them at various sites in the Tigris-Euphrates Valley. The brief description
that follows includes Mr. Banks´ tablet number, the place the tablet was found, the
date of the tablet, and an explanation of the content.
In 1928, Mr. Banks apparently sold the tablets to A.D. Humbert of Spearfish Normal
School. Subsequently, Mr. Humbert donated the tablets to the Library.
In the early 1970s, the tablets were rediscovered in the Library, together with minimal
documentation. After photographing, and some preliminary research, the tablets were
taken to the Oriental Institute at the University of Chicago where they were cleaned,
baked or rebaked, transliterated and/or translated, and authenticated. Upon being
returned to the Library, an appropriate showcase was designed, as well as stands for
the individual tablets, to allow them to be viewed from all sides.
The casts of the tablets, and forms used in making the casts, were donated by the
Oriental Institute of the University of Chicago.